Sony A7C Review (Why is it Worth Money)

The Sony A7C may be a mid-range full-frame mirrorless camera with 24 Megapixels, 4k video
up to 30p, built-in stabilization, 10fps bursts, rangefinder styling, and a fully-articulated
touchscreen.

It’s Sony’s smallest and lightest full-frame so far, packing the standard and speed
of the A7 III into a more compact body that’s barely larger or heavier than the A6600.

Indeed with the viewfinder positioned within the top left corner to take care of a flat-top, it’s more just like the APSC series, albeit now with a full-frame sensor and a side-hinged fully-articulated
the screen which will delight vloggers.

While the photo and movie quality is actually an equivalent because the A7 III, the main target has been updated to support the newest real-time tracking and animal detection, movies are not any longer limited to half an hour, and therefore the Hotshoe now offers a digital audio interface.

The dimensions reduction means the A7C lacks the twin card slots and twin USB ports of the A7 III, but the mic and headphone jacks are present, and therefore the body remains weather-sealed with a magnesium alloy shell.

The Sony A7C may essentially be a repackaged A7 III and intrinsically lack 4k 60p, but the smaller body, fully-articulated screen, and long recording times will see it appealing to several hybrid and travel shooters, also becoming one among Sony’s best vlogging cameras so far.

This article will be the in-depth Sony A7C review where you will know the all pros and cons of this camera.

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Sony A7C Specifications

  • 20% smaller body than the Sony A7 III
  • Sensor: 24MP BSI CMOS full-frame sensor
  • Bionz X processor
  • ‘Real-time tracking’ AF system with a human head, face, eye, and animal recognition
  • 623-point phase AF, 425-point contrast AF
  • Video: 4K UHD up to 30p
  • Continuous bursts at up to 10 fps
  • 3-inch vari-angle touchscreen, 921k dots
  • 2.36M dot EVF with 0.59x mag.
  • Mic and headphone sockets
  • Memory card: 1x SD/SDHC/SDXC, UHS-II
  • Large ‘Z-type’ battery, rated to 740 shots per charge
  • Connectivity: Wi-Fi
  • Size: 124.0 x 71.1 x 59.7mm
  • Weight: 503g (body only)

Sony A7C Features

From the surface, the Sony A7C is radically different from the regular Sony A7-series cameras. The viewfinder housing on the highest is gone, replaced by a viewfinder eyepiece within the top left corner of the body on the rear.

The rear LCD screen now flips sideways via a vari-angle pivot that provides a way wider range of movement, and therefore the camera’s two-tone black and silver finish is extremely different to the all-black livery of the opposite A7 models – though Sony says a limited-edition all-black version is coming.

Announced in September 2020 and aimed toward upgraders from APSC bodies, vloggers or
simply those wanting a second full-frame body, it represents a replacement design within the A7
series and while it shares a variety of capabilities with the A7 III, it doesn’t replace that model.

The dimensions and weight reduction are partly because of a
more compact IBIS system (five-axis / five stops) and a replacement shutter unit, although the
body remains weather-sealed.

The viewfinder image is smaller than the A7 III but delivers an
equivalent 2.36 million dot resolution with an OLED panel, while the 3in 921k dot screen is now
side-hinged and fully-articulated, allowing it to face-forward which can delight
vloggers.

Meanwhile, many of the interior specs are inherited from the A7 III with an equivalent
24 Megapixel full-frame sensor sporting embedded phase-detect autofocus, 4k up to 30p
(oversampled for twenty-four and 25p), and 10fps bursts with the mechanical or electronic
shutter, all powered by the Z-series battery.

Sony has however updated the AF software to support the newest real-time tracking which will recognize animals and also now be activated by the AF-On button.

There’s also 2.4 and 5GHz Wifi, a digital audio interface on the hot shoe, although the body size means there’s just one USB port (Type-C) and just the one SD card slot (UHS-II speed), thankfully the microphone and headphone jacks remain, while videographers are going to be delighted to find out there are no half-hour recording limits – a key the benefit over the A7 III.

Another benefit over earlier models is recording Gyro Data during the video,
allowing footage to be stabilized in software later.

I made the subsequent video all about using Gyro Data on the Sony A7c as while it has huge potential, there are a variety of technical aspects to remember, most notably employing a wide lens to accommodate the crop and a faster than normal shutter speed to minimize motion artifacts.

Sony A7C Body and Design

sony a7c specs

When briefing us on the A7C, Sony shared that it had asked APS-C camera owners about their
desire to maneuver to a full-frame camera and over half of them wanted their next camera to be a
full-frame one.

Roughly an equivalent number of respondents had selected an APS-C camera, like the A6300 and A6500, thanks to the camera’s size and weight.

To that end, the new A7C certainly fits the bill. it’s about 20 percent smaller and lighter than the Sony A7 Mark III.

For reference, the Sony A7 III is 3.74 inches (9.5 centimeters) tall, 5″ (12.7cm) wide and a couple of
.87″ (7.3cm) in total depth.

The A7 III weighs 23 ounces (652 grams). The A7C, on the opposite hand, is 2.8″ (7.1cm) tall, 4.88″ (12.4cm) wide, and a couple of .32″ (5.9cm) deep. The A7C weighs in at 17.9 oz. (507g).

In fact, the A7C isn’t much larger than the Sony A6600 despite having a way larger image sensor.

The A6600 is 2.6 x 4.7 x 2.3 inches (6.7 x 12 x 5.9 centimeters) and weighs 17.7 oz. (502g).In order to form the A7C compact and lightweight, Sony has made numerous adjustments to internal components.

The 5-axis in-body image stabilization system has been revised to be smaller, and therefore the shutter unit has also been redeveloped.

The new shutter is driven by an electromagnetic drive and is rated for up to
200,000 cycles.

Another way during which Sony reduced the dimensions of the A7C is by moving the viewfinder from the highest of the camera to a built-in design on the rear left of the camera, very similar to is found on Sony’s A6 series of cameras.

The EVF uses an OLED display with 2.369M dots. The body itself incorporates a monocoque construction to scale back the load while increasing overall rigidity and strength.

The A7C uses a magnesium alloy chassis and is dust and moisture resistant. Another way Sony has been ready to make the A7C so compact and light-weight are by reducing the number of obtainable controls.

Compared to the A7 III, the A7C lacks a fanatical autofocus control joystick, rear C3 button, and AEL button.

It also lacks a front control dial, though there’s still a rear thumb dial also as a command wheel on the rear of the camera.

The A7C’s rear display is three inches diagonally, has 921K dots of resolution, and features touch functionality. Just like the recent A7S III, the display can flip to the side such it is often used for vlogging or as a selfie display. In terms of storage, ports, and connectivity, the A7C may be a bit different from other A7 series cameras.

An enormous difference is that the A7C features a single UHS-II compatible SD card slot. In terms of wireless features, the A7C has 2.4GHz and 5GHz Wi-Fi capabilities.

The A7C also can perform FTP file transfer, either wired or wireless, and tether via its USB-C port. For audio, the A7C has headphone and mic jacks and is compatible with Sony’s digital audio interface.

AutoFocus and Performance

Like the sensor, the Sony A7C’s Hybrid AF system is additionally borrowed from the Sony A7 III,
although the AF algorithm is from the recent A7S III.

The result’s an AF system offering 693 phase-detect AF points and 425 contrast-detect points.

The A7C delivers real-time Eye AF for both humans and animals. The real-time autofocus feature is the same as is found within the A7R IV camera.

Likewise, also found within the A7R IV, the AF On button initiates real-time
tracking and AF with default control settings.

Powered by its BIONZ X image processor, the A7C can capture images at up to 10 frames per second with both full autofocus and automatic exposure metering.

This speed is out there when using either the mechanical shutter or the electronic shutter in silent shooting mode.

Sony states that the buffer depth is 223 images with Large Fine JPEGs, though buffer depth will drop with other image quality settings and file format combinations.

For instance, with compressed RAW shooting, the A7C is stated to shoot at
around 115 frames, while uncompressed RAW drops the buffer depth performance further;
uncompressed RAW buffer is about 45 frames.

In terms of battery life, the Sony A7C delivers ‘industry best’ performance. The A7C uses Sony’s NP-FZ100 lithium-ion battery and is rated for 740 images (when using the LCD), 640 shots with EVF, and 225 minutes of video.

Further, the camera can charge via its USB-C port. The A7C is provided with 5-axis in-body image
stabilization. The new compact 5-axis IBIS system is rated for five stops of compensation.

The New Lens

Lens for Sony a7c

As I said, I will discuss everything about this camera in this Sony A7C review, that’s why it is mandatory to discuss about the Lens.

Alongside the A7C, Sony is introducing a replacement compact kit lens to travel with its
compact full-frame camera.

The FE 28-60mm f/4-5.6 is that the world’s smallest and lightest full-frame E-mount standard telephoto lens and employs a mechanically retractable design.

The new FE 28-60mm lens weighs only 5.8oz (164g) and together with the A7C body, the kit
weighs 23.8oz (675g), which is barely heavier than the Sony A7 III body by itself.

The A7 III with its FE 28-70mm kit lens weighs 33.3oz. (944g). Further, the A7C with the retracted 28-60mm lens may be a much smaller overall footprint.

In terms of special glass, the FE 28-60mm lens includes a trio of aspherical lens elements. The lens uses a linear AF motor for quick and quiet autofocus and does support full AF at the A7C’s maximum shooting speed of 10fps.

The lens can close focus to 11.8″ (0.3 meters) at the 28mm focal distance and 17.7″ (0.45m) at 60mm.

The New Tilting LCD Screen

Sony a7c review

Whilst this viewfinder remains respectable enough in today’s market, we’d have expected to
ascertain a higher-spec model used on the new A7C.

The same is additionally true of the 3-inch 3:2 ratio widescreen LCD monitor, which again rather disappointingly retains an equivalent 922k resolution of the A6600’s and A7 III’s screen.

A larger, higher resolution screen, maybe even 16:9 instead of 3:2, would have made the A6600 more competitive with its main rivals.

The new fully articulating vari-angle design that’s been inherited directly from the recently released A7S III may be a big improvement on the A6600’s 180-degree flip-up design, proving far more versatile for vlogging and movie shooting generally.

It is often flipped bent the side and rotated forwards for easier operation when holding the camera at distance and pointing it towards yourself, and maybe usefully folded flat against the rear of the camera to guard it when not in use.

Sony has also implemented touch sensitivity on the Alpha 7C’s LCD screen. This makes functions like focus point selection much easier and more intuitive, especially given the regrettable lack of a
fanatical AF joystick on the rear.

It even works while rummaging through the electronic viewfinder, a feature that we have seen on several other high-end mirrorless cameras recently.

Somewhat bizarrely, though, you cannot use the touchscreen to navigate the most
menu or quick menu settings, press the on-screen icons or maybe swipe through your images
in playback mode a la smartphones, all rather strange limitations that also are shared by most
(but not all) Sony Alpha cameras.

With the new fully-articulating screen and super-compact size, the Sony A7C seems to be ideal for vlogging, but there’s one rather big elephant within the metaphorical room – the new 28-60mm F4-5.6 kit lens.

A Good Control Layout

Photographers invested within the Sony system expect strong control from a7 cameras—front
and rear control dials are the quality since day one, and a little focus stick was a really welcome
addition to newer entries.

The Sony A7C drops the front dial—you still get a fanatical top dial for EV adjustment and two rear dials, but it is a more tricky camera to navigate adjustments to shutter
and aperture if you’re working fully manual mode—your thumb has got to do a touch of a dance
to maneuver between the 2 dials.

Sony and Sigma sell lenses with their own aperture control rings, though, and if you employ those, the manual experience may be a bit more pleasing. Still,
I missed having a dial under my index.

Likewise, dropping the main target joystick isn’t unexpected—the a6600 body style has never had it, and this one follows that motif pretty squarely.

If you sometimes use the autofocus set to a good area you will not miss it, and Sony’s
autofocus is sensible, fast, and accurate enough that you simply can believe it to select the
proper subject…but if you favor lining the world of focus manually, the a7 III will cause you to a
touch happier.

The touch screen does work to alleviate some things. You can, if you would like,
tap to line attention point, and if you dive into the menu system and switch it on, you’ll also use it
as slightly surface for focus control when using the electronic viewfinder.

But other touch functions are limited. Menus, for instance, aren’t touch-sensitive and have an equivalent dense structure—basically page after page of text—that’s been the hallmark of Sony cameras for years.

There are some improvements over time, including a My Menu page that allows you to
bookmark frequently adjusted settings, but the a7C debuts after the high-end a7S III, a model
that sports an all-new menu with a slicker interface that cuts down on scrolling and better
separates video and still settings.

Aside from that, there’s nothing unusual about the a7C’s controls. An AF-ON button is included and activates the camera’s tracking autofocus system out of the box, but I’d still recommend tweaking focus settings versus the default (more thereon once we discuss autofocus below).

Fast And Reliable Focus

The Sony a7C sports the newest and greatest Sony autofocus system, one that’s a touch more
capable than what you get with the older A7 III.

Out of the box, the camera picks the purpose of specializing in its own, using scene recognition, also as the face and eye detection (for people and pets) to assist it to find the proper subject.

The AF-ON button, on the rear, works a touch differently. It engages the tracking system, locking onto a target and following it if it moves, or if you progress the camera.

I like better to use Sony cameras with this mode enabled for just about every sort of photography.

As for coverage area, you’ll set the tracking system to select the topic for you or set a more narrow area of interest. It isn’t as easy to maneuver the square Flexible Spot area about without attention joystick, though, one among the downsides to the smaller
camera body.

The Sony A7C doesn’t balance well with an enormous lens just like the Sigma 100-400mm or Sony FE 200-600mm, and that I wouldn’t expect to use it for that sort of capture.

With a lighter lens, using the touch screen to maneuver your autofocus area around
maybe a lot easier to try to.

Is it Worth Buying?

By reading this Sony A7c Review (Honest), You can easily decide if the camera is a good fit for you or not!

This camera is a superb option for vloggers and content creators. With its small size, headphone and mic jacks, side-hinged screen, and enormous battery, it’s quite a package. and relatively, it becomes the last word tool for this at this price point.

For photographers, this camera is sort of capable, but better options do exist. With the shortage of dual card slots, downgraded EVF, missing custom buttons, and dual adjustment dials, Sony’s made trade-offs.

However, it does offer you access to Sony’s existing suite of full-frame E-mount lenses. and lots of their mid-range lenses are like the top-end option of rivals. And at an equivalent size, because the a6600, it’s quite the choice for traveling. So, counting on your preferences here, it might be a worthwhile option nonetheless.

For sports, wildlife, and journalism photographers, this camera is fairly capable with its 10 FPS burst, confident real-time AF, and enormous buffer.

This camera makes a superb b or c camera to existing Sony users, particularly if you would like a light-weight and discreet option.

For videographers and filmmakers, this camera is sort of a robust option. And it delivers Sony’s best AF system thus far, including exceptional battery life, unlimited recording, and log profiles. As a package, it’s arguably their best video camera outside of the a7S III.

This camera may be a direct alternative to the whole a6000 lineup. If size and weight are a big consideration in your decision-making process, this camera is equally capable because of the flagship a6600. But, it provides the distinct advantage of a full-frame sensor, which makes it the higher camera.

For those wanting an entry-point within the full-frame mirrorless segment, this is often a superb choice. But, most of them aren’t deal-breakers. And at its launch price, it’s quite affordable thanks to entering full-frame.

If you don’t need the added ports, extra SD card, and programmable buttons, this camera may be a healthy alternative.

In the end, Sony’s A7C is that the more compact and light-weight alternative to the a7 III. It obtains most of its high-end capabilities during a form factor almost unseen during this segment.

Because it stands, it’s an impressive option for those wanting the full-frame experience, during a more portable and versatile package.

While there are trade-offs and disadvantages over the larger a7 III. They’re justifiable, and most of them aren’t deal-breakers. And as an entry-point within the full-frame mirrorless segment, it remains capable nonetheless.

Frankly, this camera is sort of a feat on Sony’s part. Not only have they managed to scale back the camera’s size, but they’ve also accomplished outfitting it with an outsized full-frame sensor and image stabilization.

And Sony’s simultaneously amalgamated a strong feature set that widens their potential user base. As an entire, it’s a robust contender for those wanting full-frame capabilities without the massive tag. and admittedly, if you would like the simplest AF system Sony offers, this is often your best choice.

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Frequently Asked Questions about Sony A7c

 Is it have Image Stabilization?

Yes.

 Does the Sony A7c have Touch Screen?

Yes, Sony Alpha A7c has Touch Screen.

 Is It have Weather Sealing?

Yes, It have

Is it Perfect for Vloggers?

It is the one of the smallest of lightest camera. Definitely it is a good fit for vloggers.

Want to read more pieces of Stuff?

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