Canon M50 Review (THE BEST BEGINNER MIRRORLESS CAMERA?)

The Canon EOS M50 is an upper entry-level mirrorless camera with a 24 Megapixel APSC
sensor, confident autofocus small but crisp OLED viewfinder, excellent wireless, and becomes
Canon’s first mirrorless with 4k video, a fully-articulated touch-screen, eye detection, and silent
shooting options.

Sadly the 4k is of limited use, employing a severe crop and only working with less confident contrast-based autofocus. I’m also frustrated there is no USB charging, especially
since the battery is fairly weak.

In this Canon M50 review, You will know every pros and cons that you need to know before buying the camera. And you will find all of the answers to why the Canon M50 is called the best beginner mirrorless camera.

Indeed the M50 could even be pitched as an upper entry-level model, but I reckon it’s Canon’s most compelling mirrorless thus far.

If you are in a hurry and don’t want an in-depth Canon M50 Review then you can go to the direct link…

Canon M50 Specs

Imaging

Lens MountCanon EF-M
Camera FormatAPS-C (1.6x Crop Factor)
Sensor ResolutionActual: 25.8 Megapixel
Effective: 24.1 Megapixel
Maximum Resolution6000 x 4000
Aspect Ratio1:1, 3:2, 4:3, 16:9
Sensor TypeCMOS
Sensor Size22.3 x 14.9 mm
Image File FormatJPEG, Raw
Bit Depth14-Bit
Image StabilizationDigital, 3-Axis (Video Only)

Exposure Control

ISO SensitivityAuto, 100 to 25600 (Extended: 100 to 51200)
Shutter Speed1/4000 to 30 Seconds
Bulb Mode
Metering MethodCenter-Weighted Average, Evaluative, Partial, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-3 to +3 EV (1/3 EV Steps)
Metering Range0 to 20 EV
White BalanceAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous ShootingUp to 10 fps at 24.2 MP for up to 10 Frames (Raw) / 33 Frames (JPEG)
Up to 4 fps at 24.2 MP for up to 15 Frames (Raw) / 1000 Frames (JPEG)
Up to 7.4 fps at 24.2 MP for up to 47 Frames (JPEG)
Self-Timer2/10-Second Delay

Video

Recording ModesMP4/H.264
UHD 4K (3840 x 2160) at 23.976p
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/29.97p [30 Mb/s]
HD (1280 x 720) at 119.88p [52 Mb/s]
HD (1280 x 720) at 59.94p [26 Mb/s]
Recording LimitUp to 29 Minutes, 59 Seconds
Video EncodingNTSC/PAL
Audio RecordingBuilt-In Microphone (Stereo)
External Microphone Input
Audio File FormatAAC LC

Focus

Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsContrast Detection: 143
Phase Detection: 99
Autofocus Sensitivity-2 to +18 EV

Viewfinder and Monitor

Viewfinder TypeElectronic
Viewfinder Size0.39″
Viewfinder Resolution2,360,000 Dot
Viewfinder Coverage100%
Size3″
Resolution1,040,000 Dot
Display TypeArticulating Touchscreen LCD

Flash

Built-In FlashYes
Guide Number16.4′ / 5 m at ISO 100
Maximum Sync Speed1/200 Second
Flash Compensation-2 to +2 EV (1/3 EV Steps)
Dedicated Flash SystemeTTL
External Flash ConnectionHot Shoe

Interface

Media/Memory Card SlotSingle Slot: SD/SDHC/SDXC (UHS-I)
Connectivity3.5mm Microphone, HDMI D (Micro), USB Micro-B (USB 2.0)
WirelessWi-Fi
Bluetooth
GPSNo

Environmental

Operating Temperature32 to 104°F / 0 to 40°C
Operating Humidity0 to 85%

Physical

Battery1 x LP-E12 Rechargeable Lithium-Ion, 7.2 VDC, 875 mAh
Dimensions (W x H x D)4.6 x 3.5 x 2.3″ / 116.3 x 88.1 x 58.7 mm
Weight13.65 oz / 387 g (Body with Battery and Memory)

Kit Lens

Focal Length15 to 45mm (35mm Equivalent Focal Length: 24 to 72mm)
Maximum Aperturef/3.5 to 6.3
Minimum ApertureNot Specified by Manufacturer
Angle of View84° 30′ to 33° 40′
Minimum Focus Distance9.84″ / 25 cm
Optical Design10 Elements in 9 Groups
Focus TypeAutofocus
Image StabilizationYes
Filter Size49 mm (Front)
Dimensions (ø x L)2.4 x 1.8″ / 60.9 x 44.5 mm
Weight4.59 oz / 130 g

Packaging Info

Package Weight2.33 lb
Box Dimensions (LxWxH)6.65 x 6.65 x 5.4″

All of the information collected from Amazon.

Canon M50 Review: Overall Summary

The Canon EOS M50 may be a mid-range mirrorless camera with a 24 Megapixel APSC sensor, viewfinder, fully-articulated screen, and 4k video.

Announced in February 2018, it’s officially pitched between the entry-level EOS M100 and therefore the step-up EOS M6, but actually sports a number of the foremost advanced features within the series: it’s the primary Canon mirrorless to boast 4k video and a side-hinged screen which will flip to any angle.

Including a microphone input, the M50 is probably going to be as fashionable by vloggers because it is with those trying to find an upgrade from smartphone photography.

Like earlier models within the series, the M50 employs a 24 Megapixel APSC sensor with Dual Pixel CMOS AF for smooth and assured refocusing, but counting on the lens you fit, Canon’s upgraded the autofocus area and or the amount of AF points.

The Canon EOS M50 may be a mid-range mirrorless camera with a 24 Megapixel APSC sensor, viewfinder, fully-articulated screen, and 4k video.

Announced in February 2018, it’s officially pitched between the entry-level EOS M100 and therefore the step-up EOS M6, but actually sports a number of the foremost advanced features within the series: it’s the primary Canon mirrorless to boast 4k video and a side-hinged screen which will flip to any angle.

Including a microphone input, the M50 is probably going to be as fashionable by vloggers because it is with those trying to find an upgrade from smartphone photography.

Like earlier models within the series, the M50 employs a 24 Megapixel APSC sensor with Dual Pixel CMOS AF for smooth and assured refocusing, but counting on the lens you fit, Canon’s upgraded the autofocus area and or the amount of AF points.

The EOS M50 also debuts Canon’s latest DIGIC 8 processor, allowing a small boost in continuous shooting (10fps with Single AF or 7.4fps with Servo AF), support for a further compressed ‘C-RAW’ option that’s full resolution but around 40% smaller, eye detection, a replacement silent scene mode that employs an electronic shutter, and eventually 4k video.

Wrapping-up the specs are a 2.36 million dot OLED viewfinder, a fully-articulated 3in touchscreen which will flip to face the topic, and Wi-Fi with NFC and Bluetooth, the latter providing seamless connectivity and GPS location tagging together with your phone.

Canon could also be pitching the M50 as a mid-range model, but if you’ll live without the greater physical controls of the top-end M5, I’d say the new features make the M50 the foremost compelling within the series so far and also a keen rival for Fujifilm’s XT20 and up to date XA5, to not mention Sony’s A6300 and Panasonic’s Lumix G80 / G85.

In my Canon M50 review, I’ll determine how it measures-up and whether it’s Canon’s best mirrorless to date!

Related: Sony ZV1 Review (Best Vlogging Camera for Beginners)

Canon M50 Key Features

With the EOS M50, Canon is aiming for DSLR quality during a compact body, and since it uses an equivalent sensor design because of the company’s APS-C DSLRs, there seems to be no reason that shouldn’t happen.

The 24.1MP sensor boasts Canon’s Dual Pixel CMOS AF on-sensor phase-detection AF, which offers between 99 and 143 Auto Focus points, counting on the lens fitted.

This is often quite the amount of AF points on the costlier EOS M5, therefore the EOS M50 is getting the advantage of a number of Canon’s latest camera technology, despite being a mid-priced model.

The EOS M50 also gets an endless shooting speed of 10fps, with focus locked thereto of the primary frame. This drops to 7.4fps with continuous autofocus, but that’s still pretty good for a camera during this bracket.

The inclusion of a 4K video may be a first for the Canon EOS M range, but although it’s another poke within the eye for the costlier EOS M5, there are some limitations.

One is that Canon’s Dual Pixel CMOS AF feature isn’t available during this mode and therefore the camera reverts instead to slower contrast-detect autofocus. this is often a touch of a surprise, and while there’s undoubtedly some technical reason for this, it does seem to undermine the entire point of Canon’s on-sensor phase-detection technology.

There’s also a 1.6x crop factor, in order that once you switch to 4K video the angle of view of your lens narrows considerably.

It’s not a serious issue, but it can mean you’ve got to step back and reframe once you thought you were in the right place.

If you enable the camera’s digital image stabilization mode, the angle of view narrows just a touch bit further again.

You can shoot video full HD quality instead, where these limitations don’t exist, and this offers frame rates up to 120fps for slow-motion effects.

The EOS M50’s electronic viewfinder, which is predicated around an OLED panel with a resolution of two,360k dots, is one among the camera’s key selling points, and this is often joined by a fully-articulating 3in touchscreen display with a resolution of 1,040k dots.

It’s not the very best resolution we’ve seen, but quite adequate. you’ll tap to line the main target point or touch-drag to maneuver now round the frame, even while you’ve got your eye to the viewfinder.

Canon has also introduced a replacement 14-bit CR3 Raw file format for the highest quality, and a replacement C-RAW alternative that, it claims, offers 30-40% saving in file size over regular Raw files.

This may allow you to get more raw files on your memory cards, but storage isn’t very expensive lately, so this seems a modest advantage at the best. You also get wireless communication via NFC, Wi-Fi, and Bluetooth.

Bluetooth enables automatic image transfer to a sensible device, but the camera will still have to switch to Wi-Fi for full resolution image transfer and camera remote.

On Apple devices, which will mean manually selecting and authorizing the camera’s Wi-Fi network whenever you would like it.

The EOS M50 will normally be sold with Canon’s retracting EF-M 15-45mm f/3.5-6.3 IS STM kit lens.

Related: What Cameras Do YouTubers Use to Vlog? (10 Best Vlogging Camera)

Build and Handling

The EOS M50 looks and feels considerably sort of a miniature DSLR, right right down to the viewfinder housing on the highest where a DSLR pentaprism would be.

There’s an edge on the front for a secure one-handed hold, though you do need to crook your index slightly to rest it on the shutter-release button and therefore the surrounding control dial.

A camera this small is sure to feel a touch cramped here and there, and Canon has done well to stay the controls reasonably well spaced and accessible.

The top plate is noticeably more sparse than the EOS M5’s, a reminder that this is often a more beginner-orientated model. Most mode dial is smaller and there’s no exposure compensation dial, but neither of these is probably going to matter considerably for this camera’s intended audience.

It’s aimed toward first-time mirrorless camera users instead of experts. Round the back, there’s a little four-way controller with a central Q/SET button. Canon hasn’t included a rotating control dial here.

After all, it has on models just like the EOS M5, which may be a relief because these are usually tricky to spin without accidentally pressing them at an equivalent time.

The ‘down’ button, which is employed for the latter function when in playback mode, has no function while shooting at default settings, but you’ll program this to access a feature like a drive mode or Auto Lighting Optimizer if you would like.

If you press the central Q/SET button you’ll see common camera settings arranged as icons on the left and right sides of the screen with settings for every display horizontally along rock bottom.

This display is superimposed on the scene you’re photographing, so you’ll make changes while still watching your subject, either using the navigational buttons or by tapping the screen. The EOS M50’s touchscreen interface works alright indeed.

It responds instantly to the lightest touch and therefore the icons are large enough that you simply don’t need pinpoint accuracy when tapping.

You’ll tap anywhere on the screen to line the main target point in a moment or drag it around the screen with a fingertip.

This works especially well when you’re rummaging through the viewfinder, as you’ll use your right thumb to tug the main target point around without even shifting your grip.

This is often a camera and lens combination you’ll comfortably slot in an everyday bag where a DSLR would be too big.

Having to manually release the lens for shooting, however, does become a rather annoying chore. it’s not always easy to work in a hurry.

It’s nice to possess a manual zoom action once the lens is extended, Both are a touch smaller than Canon’s option too.

Overall, the EOS M50 is fast, responsive, and satisfying to use. The lens’s manual retraction is some things of a pain, however, and its finish is at odds with the remainder of the camera.

Related: Sony A7C Review (Why is it Worth Money)

Performance

The EOS M50’s Dual Pixel CMOS AF system is so fast in most situations that it feels almost instant – and therefore the kit lens probably deserves some credit for this.

Canon’s STM (stepping motor) lenses offer fast, silent autofocus that’s perfect for both stills and video.

The video performance is more mixed, however. When shooting videos is 4K quality, the camera reverts to regular contrast-detect autofocus, so while it’ll refocus if your subject moves or if you modify your framing, it takes a few seconds to try to do it.

It’s true that in the video a slow focus transition is usually what you would like to stay your footage looking smooth (unless you’re manually focusing), but here you’ll get to hamper your technique to assist the camera to continue.

It’s best to stay any camera movement to a minimum because the EOS M50 also suffers from a clear rolling-shutter effect, where vertical lines become slanted if the camera is rushed.

This is often not a stabilization issue; it’s caused by the way the sensor data is scanned vertically instead of being captured all directly. This changes once you swap to Full HD video mode.

The resolution is lower, but you don’t get the heavy crop factor of the 4K mode, and therefore the autofocus reverts to Dual Pixel CMOS AF operation, therefore the camera refocuses far more quickly. there’s still a rolling-shutter effect if the camera is rushed, but it’s not as severe.

The EOS M50’s still image quality is extremely good. It’s not the simplest during this market, but it holds its own with the remainder.

Interestingly, although it should theoretically have a plus in quality over its Micro Four Thirds rivals just like the Olympus OM-D E-M10 Mark III and Panasonic GX9, in our lab tests it lagged a touch behind both of those for dynamic range and noise.

Anyone upgrading to the present camera from a smartphone, a compact camera, or an older entry-level DSLR goes to be very proud of the results.

There have been a few occasions during which the exposure went slightly awry and it overexposed backlit scenes, but this is often all a part of learning a specific camera’s foibles, and it only takes a flash to see your images and reshoot them if they’re almost right.

The 15-45mm kit lens does deliver excellent all-round results. We want inexpensive kit lenses being distinctly second-rate, and therefore the retracting mechanism during this one makes it all the more likely that the optical design could be compromised.

However, it’s excellent, delivering edge-to-edge sharpness. If you shoot Raw files, your Raw converter will usually be ready to make these optical corrections too.

Related: Sony A7S III Review (Why You Should Buy?)

Canon M50 Design and Controls

Although the Canon EOS M100, the company’s entry-level mirrorless camera, has only a couple of exterior controls, the step-up M50 has more, which makes it better fitted to enthusiasts who want to quickly change settings.

Yet, just like the Sony A6300 and A6500, the M50 doesn’t overdo it, and potentially overwhelm novices.

On the opposite hand, the Sony A6300, one of our favorite mid-range mirrorless cameras, measures 4.7 x 2.6 x 1.8 inches and weighs 14.25 ounces.

Related: Top 11 Best Sigma Lenses to Buy

Canon M50 Image Quality

The M50 camera uses a 24.1-MP APS-C-sized image sensor to capture photos and video.

Overall, my test shots and real-world sample images were sharp, with crisp details and powerful, accurate, vibrant colors.

The grey tones on my value scale were rendered very nicely, even within the low-light image, which shows the camera does well in capturing dynamic range.

I also found that many times, the M50 kept noise to a minimum, even in low light.

I did notice that the camera did slightly over sharpen the JPEG test shots: You’ll notice a subtle outline around the color rectangles within the color charts, which isn’t visible on the RAW files.

The camera features a fairly wide ISO range (ISO 100 to 25,600, with the power to expand to a high ISO of 51,200).

In both test and sample shots, most ISO settings were reasonably clean and clear.

However, as you’ll see in my high ISO selfie composite photo, at the expanded ISO 51,200 setting, images become mottled with colored and patterned noise, which obscures details.

Related: 10 best walk around lens for canon

Canon M50 Video Quality

Canon sees the M50 as an honest option for vloggers. But video quality itself is underwhelming. Let’s mention 4K first.

The M5 is Canon’s first consumer model with 4K capture support, but it is a bit crippled. The camera induces an important crop when recording in 4K and its speedy Dual Pixel AF system isn’t active.

The camera features a fairly wide ISO range (ISO 100 to 25,600, with the power to expand to a high ISO of 51,200).

However, as you’ll see in my high ISO selfie composite photo, at the expanded ISO 51,200 setting, images become mottled with colored and patterned noise, which obscures details.

Aside from the crop—which essentially requires you to use the EF-M 11-22mm concentrate order to net any kind of wide-angle coverage—the footage looks good, but not on an equivalent level because the best 4K we have seen from mirrorless cameras.

It’s just not as sharp or detailed as what we see from the Sony a6300 and Fujifilm X-T20, and therefore the frame rate is locked at 24fps—fine for somebody who wants a cinematic look, but not so great for recording fast-moving action.

Rolling shutter is an issue—there’s serious skew when panning or recording subjects moving quickly from one side of the frame to the opposite. To be fair, we also see this with the a6300 and X-T20. And then there’s the autofocus.

Dual Pixel AF doesn’t add 4K, which puts a significant damper on how well the camera during a position to regulate changes in a scene.

In my tests, the M50 struggled to maintain tracking an equivalent moving target in 4K because it was ready to do with aplomb when rolling at 1080p.

Even manual requests to vary the main target point (by tapping the rear display) were often greeted by no change focused in the least when recording in 4K.

In 1080p, with Dual Pixel working, tapping to vary the main target point works consistently. You can see the wobble focused within the 4K clip above, and also see how quickly and simply the M50 racks focus within the 1080p shot below.

The crop is additionally evident within the 4K clip—it was shot from a tripod with the lens set to an equivalent zoom position because of the 1080p shot.

So do you have to just shoot in 1080p and be happy? you actually recover autofocus, footage that has just a modest crop applied (nothing to write down home about), and your choice of 24, 30, or 60fps for normal-speed footage and 120fps for in-camera slow-motion.

But, while it does avoid the rolling shutter pitfalls that plague 4K capture, the 1080p video itself is sort of soft, and it isn’t simply because it’s recorded at a lower resolution.

It is a few steps behind the 1080p quality we want to see from competing models—again, the Sony a6300 and Fujifilm X-T20 are good ones to match here because their sensors are similar in size and therefore the cameras sell within the same price range as the M50.

Some FAQs Over the Internet

Why Canon M50 is so Cheap?

It’s “cheap” because it is an entry level camera. The price reflects the level that it is meant to be used at. The 4K specs are disappointing, but everything else looks pretty good. Compact design thanks to not having the mirror box


Will this work with canon ef 50mm f/1.8 stm lens?


You need a lens mount adapter to go from Ef-m to EF/EF-S.

What is the maximum size memory card this will hold?

I have a 64 gb SD card in mine.

Can this camera be used as a web cam ?

Yes, You can!

will the camera be able to catch action sailing shots?

Yes, if you know how to use it.

Canon M50 Review: Conclusion

So the Canon M50 Review comes to an end. I have tried my best to gather all of the information in one place. By reading this in-depth Canon M50 Review you will know exactly why it is the best one for you and why it is “THE BEST BEGINNER MIRRORLESS CAMERA”

It’s about time that Canon added 4K to a consumer camera—it’s currently only available within the pro-grade EOS 5D Mark IV and EOS-1D X Mark II SLRs and in its cinema cameras.

But what’s within the EOS M50 wasn’t the proper thanks to rolling in the hay. Cropped footage are some things we saw within the youth of 4K, but full-width capture is predicted in 2018.

Even more of a drawback for consumers, who aren’t likely to manually pull focus for video, is the omission of Dual Pixel AF.

Canon’s focus system delivers lovely leads to video, with smooth racks from subject to subject. Going back to slower, choppier contrast-detection may be a step in the wrong direction.

That’s to not say the 4K option is useless. For scenes with a group focus point that do not require wide-angle coverage, it works fine.

But the standard of the video isn’t on an equivalent level as competing models with 4K. And the maximum amount as I prefer the graceful autofocus provided by the twin Pixel AF system, the M50’s 1080p video doesn’t look nearly as good because it should.

It’s not all about video, of course. The M50 puts strong, albeit not best-in-class, image quality into a body that’s very compact and is backed with a little system of lenses, all of which are sized appropriately to match its design.

It doesn’t have an enormous Raw shooting buffer, but focuses quickly and tracks subjects effectively for action photography, and while it’s a few steps behind the simplest APS-C mirrorless models when shooting images in dim light, it delivers printable leads to tough situations.

I still prefer the pricier M5 for still photography, albeit its focus coverage isn’t quite as wide and it doesn’t shoot as fast.

But that’s because I prefer to possess on-body controls right at hand, and therefore the M5 delivers those.

The M50 omits an EV compensation dial and only features a single control dial, surrounding the shutter. If you are a fan of Manual mode this makes it a touch clunky to use. But photographers who shoot in Auto, aperture priority, or shutter priority are going to be fine with the single-dial approach.

Lens Options for the M series are still a touch limited. Canon has many narrow aperture zooms, but there’s just one fast prime, and therefore the only native macro lens may be a wider-angle design.

You’ll supplement native lenses with adapted ones, either Canon EF or EF-S lenses via an autofocus adapter, or other SLR system lenses via manual focus mechanical adapters.

But I’d wish to see the EF-M lens built out a touch more. Some more f/2 primes would be very welcome, as would some wider aperture zooms.

Our Editors’ Choice within the entry-level mirrorless category remains the aging Sony a6000. before its time at its release, it stuck around for years and enjoyed price cuts along the way.

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