Cameras are one of the most popular products today. This article is all about Camera lenses. You will be able to know the top 10 best camera lenses for Beginners.
No matter where you go, the use of a camera for taking pictures on certain occasions like weddings, birthdays, etc. is immense.
The use of it is increasing day by day for people to capture some still images of the moments of the ceremony.
Nowadays, many people have chosen it as a profession. Along with the camera, the use of various things related to it has also increased.
One of the most important parts of the camera is the lens.
The Camera lenses are also applicable for amateur photographers as well.
I am in love with cameras since 2016. And from then I have tested many cameras and Camera Lenses.
I am writing this article from my 4 years of experience.
Our Top pic for Lenses for Beginners
Buying Guide – 10 best Camera Lenses for Beginners
1. Sigma 18-35mm F1.8 Art DC HSM Lens
- F1.8 maximum aperture
- F16 minimum
- Ring-type ultrasonic-type AF motor with full-time manual focusing, 72mm filter size
- Minimum focusing distance 28 cm/ 11.0 in. USB Dock compatible, MC-11 compatible.
This lens is the top pick of the best Camera Lenses for Beginners. First, we’ll mention the lens of the Sigma series. Basically, it’s a telephoto lens (Zoom Lens).
And a maximum of 35 mm. it’s a wide-angle lens.
This suggests that the frame is going to be much larger. therefore the surrounding environment is often framed during a much larger size.
It is often used for traveling or family photography.
It’s specially designed for APS-C-sized sensors.
In line with Sigma’s long history of lens innovation, 18-35mm 1.8 dc HSM wide-angle to catch up on development and curvature. Includes a good glass-molded aphrodisiac lens with special low scattering (SLD) glass.
Ideal for 18-35mm landscape photography, portrait photography, painting photography, snapshots, casual photography, and close-ups, and Hypersonic Motor (HSM) ensures smooth, fast, and accurate autofocusing.
The utilization of thermally material (TSC) leads to a discount in size and weight but increases the accuracy of the lens construction.
- Wide aperture.
- Reasonable price tag.
- No optical stabilization.
2. Sigma 17-50mm f/2.8
- FLD glass elements along with two glass mold elements and one hybrid aspherical lens provide excellent correction of aberrations and allow for incredibly sharp...
- Aperture : F11
This lens was released in February 2010. From that time this lens is dominating the photography world till now.
This is the first zoom lens produced by Sigma that provides both a fixed maximum aperture and Optical Image Stabilization.
If you are a total beginner in photography then you have to keep in mind that for DSLR image quality, the quality of the lens is more important than the price of the Camera.
The Sigma 17-50mm f/2.8 EX DC OS HSM lens (herein mentioned because the ‘Sigma 17-50mm’), against this, takes things up several notches altogether areas, from general build quality to the performance.
Specifically designed to be used with DSLRs fitted with an APS-C sensor, it’s a way larger and more solid optic than your standard kit zoom.
This lens is available for Sigma, Canon, Nikon, Sony, and Pentax DSLR mounts, the Sigma 17-50mm may be a fairly substantial lens that weighs in at 569 grams with no lens caps attached.
The ‘EX’ abbreviation in its full name means it belongs to Sigma’s range of professional-grade lenses. intrinsically it gets the signature gold band and gold lettering common to all or any lenses with the EX denomination, alongside an aesthetic matt finish on the lens barrel.
Picking it up for the primary time, it undoubtedly seems like a top-quality optic.
- Image Stabilization.
- Built-in Autofocus.
- Hood supplied.
- No Weather Sealing.
3. Sigma 14-24mm F2.8 DG HSM Lens
- Ultra-wide-angle zoom lens
- Fast F2.8 maximum aperture
- Falls into Sigma's Art range of lenses
- Fast HSM autofocus
The lens we’ll mention now is 14-24mm F2.8 DG HSM.
Its category is USB Dock Compatible, Wide Angle Lenses, MC-11 Compatible Lens.
This lens is especially utilized in Creative, Travel, Landscape, Wedding & Events, Nature & Wildlife.
Those that do professional photography must have a fisheye lens.
Because if you employ a wide-angle, landscape pictures are often taken alright.
Besides, you’ll take pictures with a really large subject during a single frame.
This Sigma’s 14-24 f / 2.8 lens features a wide aperture and quality glass. However, the worth of the lens may be a little higher as compared.
This lens is especially applicable to those that are professional photographers.
It has a full-frame lens with APS-C compatibility, bright F2.8 aperture across the whole zoom range, dust- and splash-proof construction with weather seals, virtually zero distortion in Infinite Focus.
With a continuing F2.8 aperture across the whole zoom range, these 50-megapixel plus cameras are designed for outstanding high-resolution image quality.
- Outstanding sharpness.
- Ultra-wide field of view.
- Bright aperture.
- Doesn’t support front filters.
4. Canon EF 50mm f/1.8 STM Lens
- High performance, fast F1.4 aperture, "standard" 50mm prime lens with Full Frame Sensor Coverage
- Specialized Ultra Multi-Coating (UMC) improves light transmission and reduces ghosting and flare
- Internal Focusing design (IF) provides non rotating 77mm filter threads and close focusing to 17.7 Inches
- Hybrid Aspherical and Aspherical lens elements control aberrations for clear and color-accurate images
Canon’s EF 50mm f1.8 STM finally upgrades the 24-year-old EF 50mm f1.8 II with smoother focusing, more rounded aperture blades, closer focusing, and a tougher lens mount.
Like its predecessor, it’ll gather over eight times more light than a typical kit zoom, making it great in low-light, deliver a shallower depth-of-field for attractively blurred backgrounds, and capture sharper results too.
Meanwhile, the low price makes it the foremost affordable lens in Canon’s catalog, and therefore the closest you will find to a no-brainer, whether you own a DSLR or shall adapt it to a mirrorless body.
Mount it on a cropped-frame / APSC DSLR or mirrorless camera and it also becomes like 80mm, making it perfect for portraits.
You might think that you simply can’t fail with a lens at this price.
But older versions of Canon’s popular 50mm f/1.8 weren’t always altogether ‘right’. that they had a loud autofocus system supported a simplistic motor and a 5-blade diaphragm that gave pronounced pentagonal shapes to defocused lights once you weren’t shooting wide open, i.e. at the widest possible aperture.
This latest version of the lens puts all those wrongs to right. it’s an STM (Stepping Motor) autofocus system that gives speedy yet quiet operation for stills, and smooth autofocus transitions during movie capture.
The main target ring does not rotate during autofocus, which improves handling and also gives the bonus of manual override in Single AF mode.
The new lens features a metal mounting plate and a more well-rounded aperture supported by seven diaphragm blades.
Despite feeling more robust than earlier versions, the remake remains pleasingly small and lightweight, weighing just 160g.
- Silent, smooth video focus.
- Very affordable.
- Slower focus.
5. AF-S NIKKOR 70-200mm f/2.8
- At 70mm, focus can be achieved as close as 0. 5m from the subject
- Lens utilizes standard 77mm filter thread
- Lens offers customizable Function buttons and control ring for versatility
- Optical Zoom: 2.9
The lens we will talk about next is the AF-S NIKKOR 70-200mm f / 2.8.
This is a lens from Nikon Company. Basically, it is a telephoto lens.
In detail, it is used to take wedding photography or portrait pictures.
The lens is also used for low light photography, wildlife photography, modeling, or everyday photography.
It works very well for capturing beautifully bright, razor-sharp images and HD video.
This lens has fast and responsive autofocus, super steady vibration reduction, accurate color representation, and much more.
It can be said that this is the best lens investment.
An update to Nikon’s legendary f/2.8 fixed aperture telephoto zoom lens, the AF-S NIKKOR 70-200mm f/2.8G ED VR II captures stunning full-frame images with remarkable speed has several technologies.
Such As VR (Vibration Reduction), A-M (Auto Manual), SWM (Silent Wave Motor), N (Nano Crystal Coat), ED (ED (Extra-Low Dispersion) Glass), etc.
- Sharp throughout zoom range.
- Doesn’t extend when zooming.
- Focus limiter switch.
- Some pincushion distortion.
6. Sigma 150-600mm f/5-6.3 DG OS HSM
- Lightweight and compact in construction for higher useability
- Water and oil repellent coating on front glass element makes maintenance of the lens surface
- Filter Size: 95mm
- Minimum focusing distance : 280 cm/110.2 inches, focal length :150-600mm
The next one on the list of best Camera Lenses for Beginners is the Sigma 150-600mm F5-6.3 lens.
The capacity involved with a telephoto lens is 150m Remitter Zoom Capacity Meter Rater Category is OS Lens, USB Dock Compatible, MC-11 / MC – 21 compatible.
This has the First hyper-telephoto zoom from the Contemporary line. It is Lightweight and compact in construction for higher useability.
There is a water and oil-repellent coating on the front glass which element makes maintenance of the lens surface easier.
It is Dustproof and splash-proof.
Its filter size is 95mm. The Sigma 150-600mm 5-6.3 DG HSM OS Contemporary was created around the concept of maximum portability meets the utmost image quality in a variable aperture hyper-telephoto zoom lens.
This zoom can handle any long-reach photographic situation one may encounter.
This 150-600mm Contemporary boasts updated Sigma technology such as a quiet and optimized Hyper Sonic Motor (HSM) and a new Optical Stabilizer (OS) with an accelerometer for improved panning photography both vertically and horizontally, essential for birding, wildlife and motor photography.
- Excellent telephoto reach.
- Very sharp.
- Focuses quickly.
- Some chromatic aberration.
7. Tamron SP 70-200mm F/2.8 Di VC G2
- VC performance is 5 stops (VC mode 3) and offers three modes optimized for different shooting situations
- MOD reduced to 37.4" (1:6.1 max. mag. Ratio). Angle of view (diagonal): 34°21' - 12°21'(for full-frame format), 22°33' - 7°59'(for APS-C format)
- Lightweight and easy-to-hold tripod mount is compatible with an Arca-Swiss style quick release plate
- Compatible with TAMRON TAP-in Console, an optional accessory product; The front surface of the lens element is coated with a protective fluorine compound that is...
This is a lens of the Tamaron brand.
The newly reimagined Tamron f/2.8 fast telephoto zoom lens with faster autofocus and vibration compensation exceeds your highest expectations.
The new Tamron SP 70-200mm F/2.8 G2 (Model A025) telephoto lens reimagines the highly acclaimed Model A009 with enhanced optical performance, improved VC (Vibration Compensation), faster AF speed and accuracy, and shortened MOD (Minimum Object Distance) for greater flexibility.
Every aspect of the SP 70-200mm F/2.8 G2 (Model A025) zoom lens has been improved by providing high image quality and enhanced bokeh throughout.
Improvements to the new SP 70-200mm F/2.8 G2 extend well into the lens barrel. Tamron has reduced the MOD from 1.3m (50.7 in) in our older model to 0.95m (37.4 in), allowing a maximum magnification ratio of 1:6.1.
The USD (Ultrasonic Silent Drive) ring-type motor, along with two high-performance microcomputers, ensures excellent focusing speed and accuracy.
This lens is another piece of equipment that should be in every photographer’s bag.
- Excellent resolution through most of range.
- Optical stabilization system.
- Sturdy build quality.
- Weak flare resistance.
8. Tamron 10-24mm f/3.5-4.5 Di II VC HLD
- VC (Vibration Compensation)
- HLD (High/Low torque-modulated Drive)
- Moisture-resistant construction
- Fluorine coating repels water and oil from the lens surface
The next lens we will talk about is 10-24mm F / 3.5-4.5. It is a lens of Tamron company.
Its minimum zoom capacity is 10mm and the maximum zoom capacity is 24mm.
Basically, this lens is for modeling photography or taking pictures of any nearby subject.
This is an ultra-wide-angle lens.
This lens is very effective in capturing the surrounding environment very well with the main subject.
The optical design includes 16 elements in 11 groups.
A new large aperture aspherical lens and LD (Low Dispersion) lens elements deliver exceptional resolution across the complete zoom range combined with stable imaging across the entire frame.
The lens also corrects comatic and transverse chromatic aberration, as well as distortion that often crops up on other wide-angle lenses.
Tamron’s unique VC (Vibration Compensation) technology makes it easy to enjoy handheld, wide-angle shooting, even in low-light environments such as evening and indoors.
With this lens, Tamron introduces the HLD (High/Low torque-modulated Drive) AF drive system.
- Ultra-wide coverage.
- Image stabilization.
- Strong center sharpness.
- Wide-angle barrel distortion.
9. Nikon Z 50mm F1.8 S
- Fast 50mm prime for Z Mirrorless cameras
- Uncanny f/1.8 performance, extreme sharpness and virtually zero distortion
- New ultra-quiet stepping motor for silent focusing
- Beautiful bokeh and superior Low-light performance
This lens is basically good for indoor photography only.
However, professional photographers can also take outdoor photos very well.
The Nikon Z 50mm F1.8 S offers outstanding resolution even wide open, but is practically immaculate at normal working apertures, delivering excellent resolution across the frame, with virtually no aberrations.
While there are some benefits to wide apertures unrelated to any image quality (more light for autofocus sensors being perhaps the main one), most photographers would agree that an F1.4 or larger maximum aperture is only useful if the images taken at those
Settings look good and the end result is that while there are plenty of great 50mm lenses out there, the Nikon Z 50mm F1.8 S is an unusually useful one for low-light, general-purpose handheld photography, where every photon counts.
- Super sharp.
- Bright f/1.8 design.
- No visible distortion.
- Sensitive control ring.
10. Canon RF 35mm F1.8 Macro
- Superb image quality and a natural wide angle lens for street and travel
- Great in low light, helping you capture ambience even in dark conditions
- Get close to capture fine details at half life size macro magnifications
- Travel light, shoot more instinctively and with more creativity
Speaking of the Lancet that follows, the Canon RF 35mm F1.8.Slower zoom capacity is at an all-time high.
There is no such thing as 35 mm or less zoom.
A wide-angle macro lens, the RF 35mm F1.8 Macro IS STM opens a broad level of imaginative new possibilities for photographers and moviemakers looking for a compact and versatile lens.
The RF 35mm F1.8 Macro IS STM is an ideal and lightweight companion capable of high-quality, creative photos and video anywhere, anytime.
Compact Macro Lens with 0.5x Magnification Ratio At just 2.47 inches long and approx. 10.8 oz., the RF 35mm F1.8 Macro IS STM makes for a lightweight and comfortable, all-day lens.
It’s ideal for capturing a variety of subjects and is an excellent complement to the EOS R camera.
With its maximum magnification ratio of 0.5x, the RF 35mm F1.8 Macro IS STM is remarkably versatile in operation.
Whether shooting landscapes, the details of a painting, or anything in between, the RF 35mm F1.8 Macro IS STM is both an able walk-around lens and a highly effective lens for macro photography.
A close focusing distance of 0.56 ft./0.17m opens up a world of possibilities for creative expression.
Whether capturing flowers, insects or closing in on the details of an object, the RF 35mm F1.8 Macro IS STM lens provides incredible versatility.
The RF 35mm F1.8 Macro IS STM lens incorporates a control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation, and more.
The RF 35mm F1.8 Macro IS STM lens is designed to work in conjunction with the EOS R camera, with both the camera and the lens sharing data to dramatically reduce camera-shake blur, regardless of the situation, whether shooting video or stills.
With up to 5 stops of stabilization, it delivers impressively clear results.
Designed to quickly process data, the RF 35mm F1.8 Macro IS STM features a 12 pin communication system that is the fastest yet for a Canon lens/camera combination.
- Small and light.
- Very sharp.
- Nice color rendering.
- No weather sealing.
So the topic “best Camera Lenses for Beginners” comes to an end. These 10 lenses will work the best for beginners according to me.
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I have been doing photography and videography as my profession. So, I have worked with so many cameras and lenses.
I may not be accurate with my choosing capability. There might be other better lenses are available in the market that can be a fit for you.
But I have researched quite hard for this article.
I have chosen those lenses that work great for other professional photographers as well.
I assure you that you can depend on me for choosing the best lenses for you.
If you choose from these 10 camera lenses as a beginner then I can tell you, you will not regret the decision.